[4.20] CCTV6 wonderful recommendation, Liu Yifei naked interpretation of shemale love triangle

 "The Ghost Woman"
Director: Yip Weixin
Starring: Louis Koo, Liu Yifei, Yu Shaoqun
Movie channel broadcast time:April 20 19:05
Highlights: Young Yan Chixia (Gu Tianle) is determined to become an excellent demon hunter, and he chooses the Black Mountain as the starting point for his journey to practice and realize his dreams. There are many ancient elves and monsters in the Black Mountain. They live a primitive life, rough and simple but full of killing. Yan Chixia experiences one dangerous battle after another, which makes his sword more terrifying, his strength is stronger, and he is even confident that he can overcome everything; until that day, he meets Nie Xiaoqian (Liu Yifei)…
"The Bachelor Terminator."

"Someone Under the Bed"
Director: Niu Chaoyang
Starring: Guo Xiaoran, He Keren, Wu Wenjia
Movie channel broadcast time:April 20 at 01:04 
What to watch: "Someone Under the Bed" is, in general, a "ghost movie" that is not terrifying for the sake of horror. The director attempts to use a hidden lens to peek into the inner world of young people: in an ancient city far away from secular society, there must be irreparable temptation; it is as deeply embedded in instinct as lust, and it unreasonably leads fate.
 Kung Fu Kid.
Director: Issey Oda 
Starring: Zhang Zhuang, Izumi Shinko, Ueno Shuri
Movie channel broadcast time:April 20 16:20 
Highlights: The only young women’s film directed by China’s most famous director Xie Jin, starring the first students of Xie Jin Hengtong Star Film and Television School, including Chinese film and television superstar Zhao Wei, is Zhao Wei’s film debut.

The rise in oil prices has made Japan the biggest beneficiary

  The three oil crises of the 1970s and 1990s profoundly changed the industrial structure of the automotive powerhouses in Europe and the US. But they also represented opportunities. If there was only one winner in this far-reaching series of historical events, it was Japanese cars.

  Before the oil crisis, although Japanese cars had an export layout in overseas markets, their share was always small. At the same time, the inherent impressions of Europeans and Americans such as counterfeit products, quality and low grade always lingered on the top of Japanese cars. However, after the oil crisis, Western consumers had to accept the reality, and Japanese cars ushered in the trend of going global.

  Taking advantage of the opportunity of the oil crisis, Japanese cars eventually became an important pole of the global automobile industry. But in addition to the impact of objective events now known as "black swans", the subjective initiative of the Japanese automobile industry is also worthy of future memories. Freezing three feet is not a day’s cold, the formation of an automobile industrial country is the main reason.

  Growing up in war

  The original Japanese auto industry was born in the 1930s, 30-50 years later than the developed countries in Europe and the United States. At that time, the Japanese market was dominated by American cars, and giants such as General Motors and Ford established assembly plants in the country. Later, factories such as Toyota and Datsun (the predecessor of Nissan) created the first cars produced by Japanese companies by reverse-copying European and American models such as Chevrolet, Chrysler, and Austin.

  At the same time, in order to encourage the production of autonomous vehicles, the Japanese government also promulgated the "Automobile Manufacturing Business Law", which stipulates that companies that produce more than 3,000 cars a year must be approved by the government, and more than half of the shares must be owned by local companies. However, the Great Depression that swept the world at the time brought the fledgling Japanese automakers to the brink of bankruptcy.

  At this time, they were saved by a full-scale war of aggression launched by Japanese militarism. The early Japanese car companies were transformed into arsenal factories that started the war machine, but they were also quickly dealt a heavy blow by the defeat of the war. After the end of World War II, Japan, a defeated country, was devastated by society and economy, and its fledgling automobile industry was also on the verge of destruction.

  In this context, the Japanese government, which had just announced its unconditional surrender, still called together the few car companies at the time, demonstrating the government’s support for the auto industry. On the other hand, the United States, out of consideration against the Soviet camp, stationed troops in Japan and began to support Japan’s economy. Especially during the Korean War, the US military provided a large number of military truck orders to the nearest Japan, allowing Japanese car companies that were struggling after the war to quickly recover. For Japanese cars, this also provides an opportunity for them to open up the US market in the future.

  In order to make up for the lack of resources during the economic difficulties, the Japanese government began to encourage the production of short-wheelbase and small-displacement cars through preferential policies such as tax reduction, resulting in the series of cars known as K-Cars. These economical and practical cars not only quickly popularized cars in postwar Japanese households, but also laid the foundation for the subsequent industrial upgrading of Japanese cars. With the support of policies, the number of car companies in Japan after the war rapidly increased from single digits to nearly 30.

  Since the 1950s, the Japanese government has promulgated the "Basic Guidelines for the Introduction of Foreign Investment in Passenger Vehicles", and began to continuously introduce technology to developed countries in Europe, America, and Japan’s car companies have successively established cooperative relations with overseas auto giants. In 1950, Toyota’s then president, Eiji Toyoda, made a special trip to Detroit to inspect Ford’s factories; Nissan’s predecessor, Datsun, officially purchased the patents of Austin in the United Kingdom in 1952 and assembled cars in Japan in the form of CKD. Austin provided technical assistance to Datsun. In addition, cooperation between Hino and French Renault, Mitsubishi and Chevrolet of the United States is also developing.

  By the early 1960s, Japanese car companies had completed the original accumulation of technology, and the annual production and sales of domestic cars exceeded 400,000. In November 1963, Japan further established the automobile industry as a strategic industry at the Industrial Structure Review Conference. From the 1950s to the 1970s, Japan has introduced more than 400 technologies from developed countries in Europe, America and other countries.

  However, while absorbing technology, the Japanese government has also implemented measures such as tariffs and foreign exchange controls to protect the domestic automobile industry, and implemented them through legislation such as the Enterprise Rationalization Promotion Law and the Machinery Industry Revitalization Temporary Measures Law. The tariff barrier for imported automobiles was once as high as 40%. And the penetration of foreign capital into Japanese automobile companies is also strictly guarded.

  In addition to government support, the improvement of technology, quality and management by Japanese automakers at that time also greatly improved the quality of Japanese cars. For example, the Toyota production method, which has far-reaching impact on future generations, was born in the early 1950s. And some classic models that continue to this day, such as Toyota Crown, Corolla, Nissan Bluebird, Honda Civic, etc., were also introduced one after another in the 1950s and 1960s.

  In addition, in order to strengthen the overall quality of Japanese cars and eliminate uncompetitive enterprises, under the leadership of the Japanese government, Japanese cars carried out a series of mergers in the 1960s, reducing the number of highly competitive 30 to about 10, which increased the concentration of the industry.

  By 1970, the annual sales of Japanese cars had reached 4.10 million, 10 times that of the early 1960s, and the number of cars owned by 1,000 people had risen from 14 in 1960 to about 170.

  After all, the local market demand in Japan is limited. At the same time as the rapid growth of the industry, Japanese car companies are also trying to export. However, throughout the 1960s, Japanese cars were mainly aimed at the third world countries in South America and South East Asia. The best-selling models in Japan, such as the Toyota Crown, were also exported to the United States, but sales were also very low because they did not meet the needs of American consumers.

  It was not until the arrival of the first oil crisis that Japanese cars were "a blessing in disguise" and really went to the world, especially major automobile consumer markets such as Europe, America and others.

  blessing in disguise

  In 1970, at the call of American social environmentalists at that time, the US government introduced the "Air Purification Act" (Musky Act), which stipulated that after five years, cars emitted only one-tenth of the pollutants. This bill undoubtedly dealt a heavy blow to the three American giants that were popular at that time, but it provided an opportunity for Japanese cars to further open up the US market.

  In 1972, the CVCC engine developed by Honda became the first engine to comply with the Musky Act and quickly gained popularity in the United States.

  In October 1973, shortly after the outbreak of the Fourth Middle East War, the United States publicly sided with Israel and provided it with $2.20 billion in military aid. In order to sanction the United States and the West, the Organization of Petroleum Exporting Countries (OPEC) began to implement a series of production cuts and oil embargoes. After the war, the oil exporting countries continued to cut production by more than 10% and pushed to raise the price of oil from $3 per barrel to $13, which was the first oil crisis.

  The oil crisis dealt a heavy blow to the developed automobile industry in Europe and the United States. During this period, global automobile production fell from nearly 40 million to 33 million. Car consumers in Europe and the United States had to give up their favorite large-displacement cars and performance cars in favor of affordable small-displacement cars. The auto giants were also forced to abandon their original production plans for large cars.

  Throughout the 1970s, Japan’s domestic auto market ended a period of rapid growth, with sales increasing from 4.10 million to 5 million. After the shock, Japan launched a new energy technology development plan in 1974, and introduced an industrial policy to reduce energy consumption, focusing on the development and promotion of energy-saving technologies and equipment. Later, the Energy Conservation Law was introduced to restrain it.

  But at the same time, Japan’s industrial structure dominated by small-displacement vehicles has allowed Japanese cars to find opportunities to break through overseas. Although the previous Japanese cars were scorned by many Europeans and Americans because of their brands, more people began to choose cars with better fuel economy due to the economic pressure caused by fuel consumption. At this time, in addition to affordable prices, Japanese cars have made great progress in technology and production management. In the past, the stereotype of counterfeit products and inferior quality in the eyes of Westerners was changed. Coupled with the good relations between Japan and the United States, Japanese cars soon became popular in the American market.

  In 1975, Japan’s domestic automobile production exceeded 7 million for the first time; by 1977, Japan’s automobile exports had reached 4.35 million, three times more than in 1970; the proportion of exported automobiles in total automobile production skyrocketed from 20% in 1970 to more than 50%.

  The shadow of the first oil crisis has not yet dissipated. With the outbreak of the Islamic Revolution in Iran and the Iran-Iraq War, the second oil crisis followed in the early 1980s, with oil prices rising from $14 per barrel to nearly $40. Global car sales fell for four consecutive years during the crisis, from 42 million to less than 39 million.

  This time, however, Japan’s increasingly mature auto industry has achieved greater success. During the second oil crisis, Japan’s domestic automobile production exceeded 10 million and 11 million in a row, and its exports exceeded 6 million for the first time. In 1980, Japanese automobiles surpassed the United States for the first time to become the world’s largest.

  The most important reason why Japanese cars can overtake American cars is the continued "attack" on the US market. During the second oil crisis, the production of American cars fell from 11 million to 8 million. In contrast, from 1978 to 1980, the number of Japanese car exports to the United States increased from 1.50 million to nearly 2 million, and the sales reached 2.40 million. The proportion of imported cars in the United States reached 80%, and the share of Japanese cars in the US market was as high as 20%.

  The real crisis

  Japan’s economic take-off and the strength of Japanese cars in the US market have threatened the US government and automakers. Under the impact of Japanese cars, American giants such as GM, Ford, and Chrysler have laid off more than 220,000 workers. The United Auto Workers (UAW) even broke out a campaign to smash Japanese cars.

  Under pressure from the United States, after negotiations between Japan and the United States, an agreement on independent restrictions on Japanese exports of cars to the United States was formed in 1981, which stipulated that the export scale of Japanese cars to the US market in subsequent years was limited to 1.68 million cars in 1981-1983, 1.85 million cars in 1984, 2.30 million cars in 1985 and 1986, and then dropped to about 2 million cars in subsequent years.

  At the same time, Japanese automakers began to choose to set up factories or joint ventures in the US market to avoid policy restrictions. After 1982, Honda, Nissan, Toyota, and Mazda successively established factories in the United States. In addition, joint ventures between Toyota and General Motors, Mitsubishi and Chrysler were also established during this period.

  On the other hand, under the premise of limited sales, Japanese cars to improve brand perception and increase profitability, Honda, Toyota, Nissan and other leading companies have launched high-end models for the needs of North American consumers, Acura, Lexus and Infiniti were born in this period.

  As a result, despite the decrease in imports, the profits of Japanese automakers have actually increased due to the high-priced luxury cars produced in the United States. With the outbreak of the Gulf War, the third oil crisis came. In the 1990s, the world’s car production decreased from nearly 50 million to 47 million, but Japan’s domestic car production approached 13.50 million, and sales reached a historical peak of 7.77 million. In addition, Japan’s overseas car production also exceeded 3 million for the first time, and the proportion of Japanese cars in the world rose to nearly 40%.

  However, luck has not always favored Japanese cars. Since the Plaza Accord in 1985, Japan’s domestic economic bubble burst due to the appreciation of the yen, which ushered in the "lost decade", and Japan’s domestic car production and sales have also slipped from their peak and began to decline year by year.

  Under the policy protection of domestic enterprises and the continuous suppression of Japanese cars. In 1994, American cars regained the first place in the global market. In 1995, the US government further announced a 100% tariff on luxury cars from Japan. The following year, Japanese car exports fell directly to 3.71 million, a decrease of 45% compared with the 1985 Plaza Agreement.

  Faced with the difficulties caused by economic stagnation, Japanese automakers are not sitting still. In order to continue to cater to the industry trend of energy conservation and emission reduction, Japanese automakers continue to develop engine technologies with stronger fuel economy. In 1997, the Toyota Prius based on THS hybrid technology was launched, and it became the best-selling model in North America again in the early 21st century. Later, the Honda i-MMD and Nissan e-Power were launched one after another, and the Japanese hybrid once again played a brand effect in the global market.

  In addition, while the US market is encountering bottlenecks, Japanese automakers are also continuously providing growth impetus by expanding into more overseas markets and increasing their emphasis on the emerging Chinese market. Entering the 21st century, Nissan, Toyota, Honda, Mazda, Mitsubishi and Suzuki have successively established joint venture factories in China, and have continuously introduced overseas best-selling models into domestic production and sales.

  Today, Japanese cars still have a 30% market share worldwide. Toyota is still the world’s largest automaker, with Honda and Renault-allied Nissan also in the top 10. In the United States, Toyota surpassed General Motors for the first time last year. In the Chinese market, the share of Japanese cars that came from behind has also reached more than 20%, which is on par with Germany. The value retention rate of mainstream Japanese brands is also among the best in China.

  Take a look.

  The rise of Japanese automobiles has been regarded by many in the industry as a model for the development of Chinese automobiles. For example, the Japanese government’s protection of local automobile companies and the control of the shareholding ratio of joint ventures, as well as the policy support for the production of small-displacement automobiles, have been used for reference by the Chinese automobile industry that has fully emerged after the reform and opening up.

  In addition, the experience of Japanese cars expanding overseas markets and gradually going global 60 years ago is also similar to the aggressive route of today’s leading Chinese independent brands. At present, Chinese independent brands are exporting small cars to developing countries in Southeast Asia and the Middle East in the early years, and turning to more regional markets. Even Europe exports some mid-to-high-end models and new energy vehicles, and sells back some cars produced by European and American automakers in China to the mainland.

  However, there are still significant differences in the automobile development environment and era background between Japan and China.

  Japan is an island country with relatively few natural resources, and it relies almost entirely on imports for the basic energy that supports the automobile industry, which is also the inherent disadvantage of the rise of Japanese cars. On the contrary, China not only has rich land resources, but also has the largest population and the largest market in the world.

  In today’s world, a series of black swan events such as the COVID-19 pandemic, Sino-US trade, and the situation in Russia and Ukraine have seriously impacted the world economy and the process of globalization. The shadow of previous oil crises still hangs over the heads of major countries. Although China is rich in resources, it is as dependent on oil imports as Japan. Getting rid of dependence on oil and reducing carbon emissions has become the consensus of major automobile industrial countries.

  The oil crisis of the 1970s and 1990s had the greatest impact on the automobile industry because of the irreplaceability of petroleum energy. However, with the development of technology, new energy vehicles led by electricity began to show a substitute role for fuel vehicles. Therefore, the development of new energy vehicles, which is the trend of overtaking cars in China’s car corners, has been formulated as a national policy by our country. At present, China has been the world’s largest new energy vehicle market for seven consecutive years, accounting for more than half of the global share. The overtaking of traditional fuel vehicles in Europe and the United States 50 years ago by Japanese cars is now being recreated by China’s automobile industry.

Highlights of Tik Tok Summer Song Festival: Who is your summer super idol?

Mirror entertainment originality

Wen Miao Liang Jialie

Editor Zhang Fengyi

Close your eyes and there will be summer in your ears!

 

On August 3rd, the band’s special online song performance with the theme of "Give the band another summer" kicked off the Tik Tok Summer Song Festival, and also brought the fans back to the hot summer with the band.

When the fans made a wish "Want to go to the seaside" in the barrage of the live broadcast room, the summer invasion planning band immediately pulled them into the artistic conception of music fantasy with a song "Want to go to the seaside"; When the tour group band sang "The Lost Song", the fans seemed to follow the song back to those lost summers; Hedgehog Band, who finally appeared on the stage, filled up the heat of the performance. When the live broadcast room unlocked the encore "Trains Going Beyond the Clouds, Dreams Are Sleeping in the Nine Clouds", the barrage was screened by "YYDS the Hedgehog".

Different from the past, in this performance, Tik Tok adopted vertical screen live broadcast, the stage designed based on the characteristics of vertical screen live broadcast, and the lens language more suitable for the visual requirements of vertical screen mode, all of which made the fans who interacted with each other across the screen more empathetic and immersed. "Help! You can feel the momentum of the whole audience burning through the screen. Shake it quickly." In the live studio of Tik Tok, countless audiences went crazy with the band’s drums.

 

This summer, Tik Tok Summer Song Festival not only gathered three major bands, namely Hedgehog Band, Tour Group Band and Summer Invasion Planning Band, but also invited Tik Tok musicians, Nana Ou-yang, Fish Dining, Chen Li and other big stars. Through the Summer Song Festival, Tik Tok hopes to bring a beautiful summer full of musical memories to the fans.

 

This time, the theme of Tik Tok Summer Song Festival is "Summer has changed, we did it!" It explains the agitation and impact brought by the collision between summer and music. However, in a number of theme performances with different styles, Tik Tok Summer Song Festival has both the burning of hormones and the feelings and gentleness that can evoke memories of a generation’s youth.

In the post-epidemic era, the demand for online performances only increased. At the beginning of last year, Tik Tok was one of the earliest platforms that entered the field of online performances. The deep accumulation of entertainment resources, the deep cultivation of entertainment ecology and the technological innovation of online performance dimension support the long-term layout of Tik Tok. From the sofa concert to DOULive, the enrollment of dragons in Deyun Society, from the live performance of stars to the Live Summer Song Festival where stars and big coffees gather, the online entertainment market in Tik Tok has been continuously attacking.

 

Those summer days and youth hidden in music

 

This year, without the performance of popular bands, fans who are used to the company of bands are somewhat lonely, but in the "Tik Tok Summer Song Festival", three treasure bands meet the public again. They sang classic songs that fans are familiar with and talked about stories related to music and bands in the live broadcast room, which filled the fans’ regrets about summer.

 

In the band’s special performance, the summer invasion planning band is popular but not conventional. Their style is as light and clear as ever, and a song "Want to go to the seaside" is perfect for lazy summer days. The tour group band with fresh breath in rock and roll still sings softly and delicately, and their "Gone Songs" and "Will Always Be There" seem to soothe everyone’s inner anxiety and anxiety this summer; The scene in Hedgehog Band is always full of calm strength and charming truth. When the melody of "The train is sailing beyond the clouds, the dream is quiet in the sky" sounded, the barrage was immediately screened by "Forever Young, Forever Tears".

Some people say that summer can’t be without bands, but in fact, it is "summer can’t be without music".

 

In addition to the special performance of "Give the Band Another Summer", the Tik Tok Summer Song Festival has also been officially announced by Tik Tok musicians’ "One Chorus Bar" special performance, Nana Ou-yang’s "This summer, Nana is so different" special performance, Fish Ding’s "Let’s all set off again" and sing loudly at the end of the world "Special performance" and Chen Granule’s new song "Long Holiday,’ Granule’ Start".

 

Among these musicians, Tik Tok musician, who specializes in "One Chorus Bar", is well known to the outside world in recent years because of his vibrato songs. Nana Ou-yang is a cello girl that the new generation likes and a new idol with sweet and cool style. Minced fish is loved by the younger generation because of its unique temperament and gentle style different from pop bands; Chen Li is the earliest musician in the field of folk songs, and is praised by the outside world for his flamboyant personality and musical style.

It can be said that behind the lineup of Tik Tok Summer Song Festival, there is actually the evolution of Chinese music, from the classic era when people are crazy about pop music; To the era of circle music in which folk songs, rap and bands became popular; In the era when musicians grew up with short videos and other multi-platforms, they were all included in this concert. The content style and the extension of the audience are beyond imagination.

 

Rock, lyric, healing, folk songs, Tik Tok Summer Song Festival accommodates a variety of music styles, and will also attract fans with different preferences, such as popular fans who like pop music, Wen Qing who loves folk songs, and the younger generation who are obsessed with rock and band culture. It can be said that the concert brought together Tik Tok musicians, Nana Ou-yang, Yu Ding-ke and Chen Li, and actually achieved a multi-directional satisfaction for old fans, new generations, the public circle and the minority circle.

The theme of many concerts is different, and the content planning has its own characteristics. If the band’s special performance is passionate, it is also more able to poke the Miocene generation; Tik Tok Musicians’ Concert is a dialogue with young people who love pop. Nana Ou-yang’s special performance conveys the young generation’s spirit of exploring "their own possibilities"; The special style of diced fish is relatively fresh, focusing on nostalgia and cure of youth; Chen Li’s special session emphasizes the state of mind of not going with the flow and finding oneself.

 

Different music styles and different themes express different music stories and emotions. Music fans are immersed in them and move with their hearts, and the feelings and resonance they get are naturally "personal". It may be a spiritual sustenance, an outlet to relieve real pressure, or a pursuit of the other side of themselves.

 

"saver"

During the May Day holiday this year, even Haoran Liu complained on the Internet that he couldn’t get tickets for the music festival, which shows how eager the public has been overstocked for more than a year after the epidemic. However, despite the surge in the number of May Day holiday music festivals, it is still in short supply. Now the small-scale recurrence of the epidemic has cast a shadow over offline music performances in the second half of the year.

 

At this time, online music performance has become the best form to comfort fans, which can not only meet the needs of fans, but also create performance opportunities for musicians. After gaining an insight into the current market situation, Tik Tok held this natural summer song festival, relying on the long-accumulated ability of integrating entertainment resources and the long-term construction of entertainment ecology.

In recent years, the accumulation of star resources on the platform of vibrato has become more and more profound. Apart from the performance guests of this summer song concert, both Andy Lau, a national goddess such as Zhao Liying and Yang Yang, and new idols such as YiBo, Zhao Lusi and KUN have now settled in Tik Tok. Therefore, in the creation of any music IP or entertainment IP, there is no shortage of star resources in Tik Tok.

 

Judging from the entertainment content construction in Tik Tok, in the music track, the entry of national musicians such as G.E.M. and the rise of original musicians in Tik Tok have gradually cultivated the music consumption habits of Tik Tok users, such as "First Kiss" and "My Lover Missed" and other explosive singles, which were "caught fire twice" by Tik Tok.

 

Outside the music track, Tik Tok continued to improve the film and television ecology in the promotion of explosive films such as The Wandering Earth, My People,My Country and Ne Zha; The DOU Live live broadcast brand launched by the platform serves different forms of entertainment such as music, film and television announcements, idols and live scenes; As well as personal live broadcast brands and memorial day live broadcast content that cooperate with stars such as Zhang Zhehan and Bai Jingting, are gradually cultivating the consumption habits of pan-entertainment content of users in the station.

Nowadays, the entertainment ecology in Tik Tok has matured. The ever-expanding ranks of stars, content officials and talented people together form the moat of Tik Tok’s content creation and hot spot fermentation, while hundreds of millions of users of the platform are consumers and disseminators of massive entertainment content. At the same time, Tik Tok has ensured the imagination and vitality of its own entertainment ecology through the continuous and rich operation and play methods such as DOULive, star live performance, star entry ceremony, challenge and star birthday party.

 

The profound accumulation of star resources, a large number of entertainment content consumers and a sound entertainment ecology are all the emboldened features of Tik Tok’s "Save the Bureau" this time. In addition, Tik Tok’s technical advantage in the field of online performance is also the key for musicians to choose Tik Tok.

 

In addition to the stage innovation and technical innovation around the vertical screen mode, the behind-the-scenes team of the special performance hosted by Tik Tok in this concert is also luxurious. On the main creative team, there are not only the production team of top concert projects, but also Zhao Bojun, the director of Yang Kun, as the general director, and Mu Yongjie, who has served as the music director of star concerts such as Jay Chou and Hebe Tien, as the music director of the song club; As for the directing team, Tik Tok invited the mainland head label Ji Shuzhai who had served many stars such as KUN, Chris Lee and Wang Jia.

The gathering of music café s and luxury production teams is the embodiment of Tik Tok’s ability of resource precipitation and resource integration in the entertainment field.

In the traditional cognition of the outside world, Tik Tok has always been labeled as a "short video platform", but its value is not as simple as "watching short videos". In the process of constructing the entertainment ecology by subdividing the tracks such as movies, music and variety shows, Tik Tok is establishing cooperative relations with more and more stars and people in the industry. As a result, the resource integration efficiency of Tik Tok in building different entertainment IP is becoming more and more efficient.

 

"Turn around" after a natural course.

This "Tik Tok Summer Song Festival" is an attempt by Tik Tok to pay for live broadcast of online music performances.

At the beginning of 2020, soon after this new form of online performance was spawned by the epidemic, the industry discussed whether this form was a short-term substitute or a new species with long-term value, and its profit model. At that time, many online performances sponsored by platforms had begun to try paid forms, which was not difficult to understand, because both the survival of musicians and the cost of organizing these online performances by platforms needed funds to support them.

 

It is true that fans will pay for music, but it is undeniable that online performances are really green at the beginning, and the rough performance scenes, the beauty of the dance and the singleness of content planning have all been complained by fans. This may also be the reason why Tik Tok has been holding its ground while other platforms are exploring the paid live broadcast mode.

 

In the past year, after many online performances such as Karen Mok Christmas Concert, the level of dance beauty and content planning in the field of online performances in Tik Tok continued to improve and became more professional. At this time, Tik Tok set his sights on paid live broadcast. It’s a sign of patience to talk about payment after being experienced, and it’s also a platform’s due respect for musicians and fans.

Although the online performance form is a product forced by the epidemic, in the new era of Internet of Everything, the offline music market is facing a growth bottleneck, and the online performance market will surely exist for a long time and continue to mature and become a supplement to the offline performance market. Nowadays, it is beneficial for the sustainable development of online performances to explore the payment for live broadcast in Tik Tok.

 

First of all, once the reproducible monetization method is explored online, it may drive more musicians to invest in the online performance market, thus promoting the diversification of online performance content, attracting more users to pay for online performances, and making the online market bigger and bigger. Secondly, the opening of the road to online income generation also means that the platform can have more confidence in scene selection, dance beauty upgrade and the invitation of the behind-the-scenes creative team, so that online performances can continuously break through in technology and aesthetics.

 

It has always been said that the advantages of online performance are limited by scenes and time, low cost and easy operation. However, judging from the quality of the Christmas concert in Karen Mok and the special performance of the summer song band, the online performance created by Tik Tok is exquisite and on par with the offline performance. It can be expected that once the payment mode is formed, it will also help Tik Tok to accelerate the goal of specialization and refinement in the creation of online performance IP.

Whether it’s a long-term sustained effort in the entertainment ecology, or this time, when the conditions are ripe, it’s a safe way to try to pay for live broadcast. Tik Tok is influencing the development of the industry through its own entertainment ecology and entertainment content layout. Just like before the appearance of DOULive, there were few platforms in the market to build professional brands and comprehensively integrate online resources to combine major entertainment scenes with live broadcasts. Just like before the appearance of this summer song concert, there were few platforms to plan such online performances with large star lineup, rich theme settings and strong behind-the-scenes team.

 

Today, Tik Tok’s weight in the entertainment industry is increasing step by step. On the surface, both the Tik Tok Summer Song Festival and the entertainment IP created by the previous platform are point-like layouts in Tik Tok, but from a deeper perspective, the impact radiation brought by these point-like layouts is reticular and long-term. Because of the spread of the influence of these entertainment IP, it will attract more stars and people in the industry to join in the creation of entertainment content and the construction of entertainment ecology in Tik Tok.

 

Unconsciously, the penetration of short video platform in the entertainment industry is getting higher and higher, and it is changing the imagination of entertainment content with its own unique advantages. It can be expected that after this summer song concert, Tik Tok’s ability to integrate star resources and entertainment ecology will be further precipitated and strengthened.

 

Online Reading Club | How do we read Zhuangzi today?

The Form and Meaning Transmission of Books

Time:14:00 on Friday, December 3rd.

Location:Yangtze Collection Live Platform (Link Address: http://appyangzi08jc.h5.ecolaw.cn/user/lesson/detail? lesson_id=20211202103105275206b118)

Speaker:Zhao Yi (Professor and Doctoral Supervisor, Institute of Classical Literature, School of Literature, Nanjing University)

Teacher Zhao Yi’s main research interests are China classical philology and China cultural history. In this lecture, he will take the ancient books displayed in "Qianhua Nanyong Collection of Treasures —— Nanjing University Ancient Books Exhibition and China Ancient Chromatic Prints Special Exhibition" as an example to talk about the book form and meaning transmission.

Peach Blossom in the Sound —— Online Reading Meeting of Jiangnan Trilogy

Time:December 3rd (Friday) 19:00-20:30.

Location:Himalayan APP· book island live broadcast room

Guest:Ge (writer, professor of Tsinghua Middle School), Yang Chen (voice actor), Shang Hong (actor).

A dream about "Peach Blossom Garden" depicts an island of dreams and broken dreams. In 2015, Ge Fei’s trilogy Jiangnan won the ninth Mao Dun Literature Prize with the highest number of votes; In 2021, the new classic combined with Himalaya, and once again interpreted this century-old drama of chasing dreams in Jiangnan with sound. On the evening of December 3rd, Teacher Ge Fei will visit the audio live broadcast room of the Himalayan "Book Island" to talk about the trilogy of Jiangnan with the presenters Yang Chen and Shang Hong, and see that the peach blossoms are still the same, listening to the mountains and rivers and dreaming.

Images and Metaphors

Time:December 3rd (Friday) 19:00-21:00

Location:Tencent conference (ID: 590398820)

Speaker:Niu Hongbao (Professor and Doctoral Supervisor, School of Philosophy, China Renmin University)

Metaphor is used in vocabulary, language and images. Metaphor is not just a rhetoric, but a universal way to construct meaning. It can be said that metaphor is everywhere, whether it is daily language or images. So, what are the similarities and differences between lexical language metaphor and image metaphor? What are the types of image metaphors? And how does image metaphor work? These problems are the key to understanding image metaphor and the core of the operation of cutting into the meaning of images.

Tracing the Origin of Classics —— Hebrew Classics and Their Ancient Versions

Time:December 3rd (Friday) 19:00-21:00

Location:Tencent conference (ID: 66064328322)

Guest:Huang Wei (Lecturer, School of Literature, Shanghai University), Li Siqi (Associate Research Fellow, Department of World History, Fudan University), Chen Zhan (Beijing Normal University-Hong Kong Baptist University United International College), Liu Boyun (Teacher, beijing language and culture university Institute of Advanced Translation).

In this "Academic Flash" activity, four guests will talk about Hebrew classics and their ancient versions from the perspectives of Hebrew classics, lxx, Tagum and Besi translations, and the Dead Sea scrolls.

Map: A Key to Open Fantasy Space

Time:December 3rd (Friday) 20:00-22:00

Location:Tianmao century Wenjing flagship shop

Guest:Norloth (illustrator and translator), lulu (literary editor)

The Atlas of China, drawn by john howe, the conceptual designer of The Lord of the Rings’s The Hobbit series, is an indispensable collection-level graphic reference book for reading Tolkien. On the evening of December 3rd, we invited Norloth, the administrator, freelance illustrator and translator of China-Turkey Red Book, to be a guest in the live broadcast room of Century Wenjing Tmall flagship store, and together with lulu, editor of Zhongzhou Atlas, we talked about the fantasy world created by Tolkien from the atlas.

From Jiangnan to the Sea —— Art History and Modernity Turn from Chinese and Western Perspectives

Time:December 4th-5th at 8:30.

Location:Tencent Conference, Bili Bili (live room number: 23904061)

Guest:Li Jun (Dean of School of Humanities, Central Academy of Fine Arts), Zhang Xiaoling (Dean of School of Fine Arts, East China Normal University), Yang Bin (Professor of History Department, University of Macau) and Huang Xiaofeng (Professor of Central Academy of Fine Arts, Vice President of School of Humanities).

On December 4-5, the 15th National Academic Year Meeting of Art History in Colleges and Universities will be held with the theme of "From Jiangnan to the Sea-Art History and Modernity Turn in Chinese and Western Perspectives", which will be divided into main forums and youth forums, online and offline, and the participating guests will explore art history in Chinese and Western perspectives.

I am sober and seriously crazy-I see myself in Don Quixote.

Time:December 4th (Saturday) 14:00-16:00.

Location:"single read" wechat video number

Guest:Ma Boyong (writer), Huang Yuning (publisher, writer and translator) and Cheng He (author of drama structure).

The musical "I, Don Quixote", based on the novel "Don Quixote", has been performed for five years since it premiered on Broadway in 1965, creating a record of 2,329 consecutive performances. In 2012, the English version was introduced to China in seven acts, and the Chinese version was first introduced in 2015. In 2022, it will be the 10th anniversary of the premiere of this drama in China, and it will be re-arranged. During the 7th One-way Street Literature Festival, we invited Ma Boyong, a script consultant who participated in the creation of this musical, Cheng He, a writer of translation and drama structure, and Huang Yuning, a writer, to have a conversation, to talk about Don Quixote, a daydreaming knight of Quehanna, to talk about people who passed by in a night boat and walked on a long journey of life, and all those who were still obsessed with exploring the truth of life from the "The Impossible Dream".

The trend of rule of law in the modern world

Time:December 4th (Saturday) 14:30-17:30

Location:Live TV Geleshan Lecture Hall

Speaker:Cheng Liaoyuan (Professor and Doctoral Supervisor, School of Law, Chongqing University)

In recent 70 years, with the changes of the international community, there has been a remarkable wave of rule of law around the world. Countries from Europe to South America, from Africa to Asia, and the United Nations all claim to move towards the rule of law, and a worldwide era of rule of law is gradually coming. This magnificent wave of the rule of law is caused by many factors, including the construction of a modern country, the great changes in market economy and trade, science and technology, the protection of democracy and human rights, and the reflection and rescue of suffering and fear. Observing and analyzing these problems will provide us with a global perspective to understand the rule of law in China. Around these problems, we invited Professor Cheng Liaoyuan from Chongqing University Law School to visit Geleshan Lecture Hall to discuss and share with you.

Meeting Dante in China —— Commemorating the 700th anniversary of Dante’s death and the centenary of the translation of The Divine Comedy in China

Time:December 4th (Saturday) at 19:00.

Location:Tencent Conference (Link: https://meeting.tencent.com/l/nOWYuIRLdtbh)

Speaker:Wen Zheng (Professor, Italian Department, Beijing Foreign Studies University)

In the history of western literature, Dante’s contribution and talent are incomparable, and his poem Divine Comedy is "the pinnacle of genius and hard work" (in Lao She’s words). Since the Florence poet died 700 years ago, knowing this 14,233-line long poem has become "the greatest happiness for literature" (in Borges) for many people. This year marks the 700th anniversary of Dante’s death, and all over the world are solemnly commemorating one of the greatest poets in human history in various forms. We are in China and Peking University, reading and discussing Dante is both a need and a responsibility.

Breakthrough: Recitation and Dialogue —— International Poetry Nights in Hong Kong Series

Time:December 4 (Saturday) at 20:00

Location:Phoenix net

Guest:Anna Stasis Westernidis (poet), Wang Jiaxin (poet, poetry critic) and Qian Yingchao (lecturer, School of European Language and Culture, Beijing Foreign Studies University).

In the second season of International Poetry Nights in Hong Kong series, the Greek poet Anna Stasis Westernidis was invited to talk with China poet Wang Jiaxin and Qian Yingchao, a lecturer at the School of European Language and Culture of Beijing Foreign Studies University.

The Decline of the United States, the Rise of China and the Relationship between Great Powers —— Why the Theory of World Political Cycle is Wrong?

Time:December 4th (Saturday) 21:00-22:30.

Location:ZOOM conference

Speaker:Peter Katzenstein (Professor at Cornell University, USA)

Nankai Yunzhong Lecture Hall invited Peter Katzenstein, a professor at Cornell University and an academician of the American Academy of Arts and Sciences, to have an online exchange. He will give a lecture on Sino-US relations and talk about why the theory of world political cycle is wrong.

The Flow of Language —— The Translation Wave in Eastern Eurasia in Modern Times from the Perspective of Global History (about 1200-1850)

Time:December 5th (Sunday) at 10:00.

Location:ZOOM conference (ID: 81919525639)

Speaker:Sun Laichen (Professor of History, California State University, Fullerton, USA)

The study of global history mostly emphasizes the flow and dissemination of goods, people, technology and ideas, while this lecture focuses on the language flow (translation) that has always been neglected, aiming to explore the important role of translation activities in the eastern part of Eurasia (mainly including East Asia and Southeast Asia) from the breadth and depth of global history. The lecture not only emphasized the great promotion of the westward spread of the west wind to the east since the 16th century, but also paid more attention to the great influence of the internal vitality of Asia on the modern translation. This lecture will define "translation" as various forms of information conversion between words and languages from the broadest perspective, and deeply explore the translation forms that have been neglected for a long time.

Common Reading of Meiyuan Classics: Rosefinch by Ge Liang

Time:December 5 (Sunday) 15:00-17:30

Location:Tencent conference (ID: 998444278)

Guest:Ge Liang (writer), Zhang Juan (associate professor, School of Humanities, Southeast University) and Lin Peiyuan (writer).

This salon of Meiyuan Classic Reading Group will discuss and exchange the novel Suzaku written by Ge Liang for his city of life, Nanjing. Ge Liang will talk with Lin Peiyuan, a young writer, and Zhang Juan, a teacher from the School of Humanities of Southeast University. In their communication and interaction, we will feel the charm of Nanjing, a tolerant and generous city where old and new coexist.

Crossing the language gap, it is all open —— Theme Salon of janus Translation Funding Scheme

Time:December 5 (Sunday) 15:30-17:30

Location:"single read" wechat video number

Guest:Liu Qing (distinguished professor, Zijiang, Ph.D. Supervisor, East China Normal University), Luo Xin (Professor of Ancient History Research Center and Department of History, China, Peking University), Fan Ye (Associate Professor and Translator, Peking University Foreign Studies University), Happy (Editor-in-Chief, Poet and Translator, World Literature), Dong Fengyun (Publisher) and Lu Dapeng (Translator).

In ancient Roman mythology, Janus had two faces, one facing the past and the other facing the future. He is in charge of the entrance and origin, as well as the exit and end, one after another, from beginning to end. In the world of literature, the translator is a "double-faced gatekeeper" like janus. In the summer of 2021, Oracle Bone Inscriptions and the One-way Street Foundation launched the first "janus Translation Funding Scheme", which is still under recruitment. During the 7th One-way Street Bookstore Literature Festival, we invited Dong Fengyun and Xu Nan, representatives of the sponsors of the janus Translation Funding Scheme, four judges of the funding scheme-Liu Qing, Fan Ye, Luo Xin, Xing Xin, English and German translator Lu Dapeng, and Xia Peng, the strategic supporter of the project, to talk about the behind of the scheme and the importance of building a more inclusive world through translation at present.

New World: China Practice and Origin of Asian-African Unity

Time:December 5 (Sunday) at 19:00

Location:Tencent Conference (ID: 912648817), Bili Bili Town Reading Club

Speaker:Yin Zhiguang (Professor, School of International Relations and Public Affairs, Fudan University)

In this issue, the town reading club is honored to invite Mr. Yin Zhiguang to share the theme around his new book, The New World: China’s Practice and Origin of Asian-African Unity.

Dunhuang studies from an international perspective: Dunhuang as historical materials and Dunhuang as space

Time:December 6 (Monday) at 20:30

Location:ZOOM conference (ID: 85768531693)

Guest:Lin Weizheng (Associate Professor, Department of Art History, University of Chicago, USA) and Maria L. Menshikova (Senior Research Fellow, Oriental Department, Russian hermitage museum)

The forum "Viewing Dunhuang-Mogao Grottoes and Yulin Grottoes in Roche Archives" jointly organized by Princeton University Press and Peking University Institute of Humanities and Social Sciences invited top scholars at home and abroad to talk about the application of Roche Archives in Dunhuang art, cultural sites and historical research, and the research opportunities it brought. In this lecture, Lin Wei, an associate professor in the Department of Art History at the University of Chicago, is discussing the internal spatial structure of Dunhuang Grottoes and its academic value. Maria L. Menshikova, a senior researcher in the Oriental Department of hermitage museum, Russia, will introduce the Dunhuang historical materials collected in Russia and their research value.

Holding your hand: the couple’s love in Qing Dynasty

Time:Wednesday, December 8th at 9:00.

Location:Tencent conference (ID: 667376394)

Speaker:Lu Weijing (Professor, Department of History, University of California, San Diego)

Arranged marriage has been maintained in China for centuries, adapting to changing cultural norms and becoming a part of people’s life experience. Lu Weijing recounted how the marriage practice in the early and middle Qing Dynasty was influenced by rich and complex traditions, and at the same time was reconciled by the historical situation of pursuing "love" in marriage at that time. Lu Weijing found that while the couple’s love blossomed, the couple also encountered new conflicts and tensions with the extended family. From a new perspective of emotional history, Lu Weijing re-examined the complexity and diversity of arranged marriage criticized since the May 4th Movement, as well as the cultural construction of intimate relationship and happy marriage.

Attachment: Preview of offline activities

Beijing | Chinese History in Archaeology —— Sharing Meeting of New Books of Chinese History of Yuenan University and Tracing Back to China

Time:December 3rd (Friday) 19:00-21:00

Location:Bi ‘an Bookstore, 1st Floor, Mudan Science and Technology Building, No.2 Huayuan Road, Haidian District

Guest:Yue Nan (best-selling author) and Xu Hong (researcher, Institute of Archaeology, Chinese Academy of Social Sciences)

Since the birth of modern archaeology in 1921, major archaeological discoveries have blossomed everywhere, rebuilding our understanding of Chinese civilization every time. Through 12 archaeological discoveries, "Yuenan University’s History of China" witnessed China’s million-year human history, 10,000-year cultural history and 5,000-year civilization history! On the evening of December 3rd, Yue Nan and Xu Hong will start from Erlitou and Sanxingdui to talk about "Chinese History in Archaeology".

Beijing | Old City, New Sound —— Pictorial Narration and Reproduction of Historical Blocks

Time:December 4th (Saturday) 19:00-20:30

Location:SKP RENDEZ-VOUS, 4th floor, Beijing SKP Shopping Center, No.87 Jianguo Road, Chaoyang District

Guest:William Wang (Associate Professor and Master Supervisor of Hunan University of Architecture), Sun Yuan (Associate Professor and Master Supervisor of School of Architecture and Art of Beijing Jiaotong University) and Zhu Qipeng (Architect and Design Moderator of Magic Architecture Research Room).

On the evening of December 4th, we invited three architects, William Wang, Sun Yuan and Zhu Qipeng, to visit SKP in Beijing. The three guests will listen to the new sound of history together with the readers from the perspectives of urban renewal in Chaozong Street in Changsha, modern parks from the perspective of multi-culture and the study of Qianmen Street in Beijing!

"Weird Aesthetics" Sharing Meeting in Shanghai | Junichiro Tanizaki

Time:December 3rd (Friday) 19:00-21:00

Location:Sinan Bookstore, No.517 Fuxing Middle Road, Huangpu District

Guest:Wang Yao Yan (novelist, screenwriter), Tracy Cheung (artist)

Junichiro Tanizaki, who is good at writing long stories, is equally wonderful in short stories. We invited scholar Wang Yao Yan and independent designer Tracy Cheung to talk about the beauty of Tanizaki’s words. From Tattoo, a rare work, to The Cursed Script, a mystery literature, or Genjyo Sanzo, which is full of wonderful fantasies, human nature is subtle and tortuous in different periods and different themes. This paper interprets how Tanizaki found another way to reach the true nature under depression, depression and pain.

Shanghai | Heroism of Ordinary People

Time:December 3rd (Friday) 19:30-21:00

Location:Building a bookstore on the first floor of Jiayu Building, Building 8, No.18 Gongping Road, Hongkou District

Guest:Liu Qing (distinguished professor, Zijiang, East China Normal University, doctoral supervisor) and Shen Yifei (Associate Professor, School of Social Development and Public Policy, Fudan University)

Looking at the present, the relationship between major powers is changing, international epidemics are raging, and social anxiety is spreading … The truth of life is often cruel. How can ordinary you and I seek our own "small fortune" in the surging waves of the times? As individuals, do we also have heroism belonging to ordinary people? On the evening of December 3rd, we invited Liu Qing, a scholar of Daguan, Zijiang distinguished professor of East China Normal University, and Shen Yifei, an associate professor of sociology at Fudan University, to visit Jiantou Bookstore and Shanghai Pujiang Store to talk about the heroism of ordinary people.

Shanghai | Daily life is a miracle —— The journey of the soul in The Guardian of Lies

Time:December 4th (Saturday) 14:00-16:00.

Location:Pudong Library Rong Study Room, 3rd Floor, No.150 Pucheng Road, Pudong New Area

Speaker:Liang Yongan (Professor, Chinese Department, Fudan University)

Emanuel Bergmann is a cutting-edge German writer. The Guardian of Lies is his first novel, which takes us to Prague in the early 20th century, just like a "spiritual adventure". On Saturday afternoon, Liang Yong ‘an, a doctor of literature and a humanist at Fudan University, will be a guest at Lujiazui Reading Club, and start a spiritual journey with readers that spans the times, regions and generations.

Shanghai | Old Pidgin: Daily Life of Modern Shanghai Residents

Time:December 4th (Saturday) 14:00-16:00.

Location:No.1262, Yan ‘an West Road, Changning District, No.7, Building No.7, Shangsheng New Institute, Renwu Bookstore

Guest:Chen Zuen (scholar of modern history in China, special researcher of Institute of History, Shanghai Academy of Social Sciences), Zhang Guowei (media person, writer of literature and history).

"Pidgin" is a special image in modern Shanghai and an important cultural symbol of Shanghai culture. On Saturday, we invited Chen Zuen, a professor of modern history in China, a special researcher at the Institute of History of Shanghai Academy of Social Sciences, and Zhang Guowei, a famous writer of literature and history. The two teachers will lead us to visit the urban humanities and appreciate the modern history, discover the first big Japanese trading company that entered Shanghai through the old masonry scenery, and pursue the famous place of Sino-Japanese cultural exchange in the late Qing Dynasty and the western restaurant that led the Shanghai atmosphere …

Shanghai | How do we read Zhuangzi today?

Time:December 4th (Saturday) 19:00-20:30

Location:Zhida Bookstore, Floor 1.5, Fuhua Science and Technology Building, No.525 Guoquan Road, Yangpu District, Activity Space

Speaker:Chen Yinchi (Professor, Chinese Department, Fudan University)

As an eternal motif in China’s traditional literature and thoughts, the magnificent Kunpeng, wonderful fables and profound thoughts in Zhuangzi have participated in shaping the spiritual world of China people for more than two thousand years. So, is it still suitable for us today, and can the wisdom in the book still enlighten us today? On Saturday night, let’s listen to Professor Chen Yinchi.

Shanghai | Sharing Meeting of "Heart Following Xinghai to Nature —— Environmental Explanation of the Source Region of the Yellow River in Sanjiangyuan National Park"

Time:December 5 (Sunday) at 14:00

Location:Hongkou Branch, Commercial Press, 3rd Floor, 1925 Bookstore, No.856 Sichuan North Road, Hongkou District

Speaker:Yong Yi (environmental education scholar)

On October 12, 2021, China officially announced the establishment of the first batch of national parks such as Sanjiangyuan, Giant Panda, Northeast Tiger Leopard, Hainan Tropical Rainforest and Wuyishan. What is a national park? What is the difference between a national park and a national forest park or a wetland park? Why did China start the construction of national parks today? How to take a day trip? This Sunday afternoon, meet with "1925 Bookstore", and Yong Yi, former director of environmental education program of World Wide Fund for Nature (WWF), will chat with you!

Guangzhou | Li Gongming’s "Old Works and New Reading" Phase I: Study and Reading

Time:December 3rd (Friday) 19:00-21:00

Location:Activity room on the 3rd floor of Xueeryou Bookstore, No.93 Xingang West Road, Haizhu District

Speaker:Li Gongming (Retired Professor, Art History Department, Guangzhou Academy of Fine Arts)

Li Gongming, who insisted on publishing a reading note every week in Shanghai Book Review for many years, not only tried his best to promote reading, but also looked forward to seamless communication and dialogue with people who love books. On Friday night, he will visit the excellent bookstore and share his reading with you.

Guangzhou | The Symbol of Youth in an Era —— Reading Long Live Youth

Time:December 4th (Saturday) at 15:00.

Location:Activity room on the second floor of Xueeryou Bookstore, No.93 Xingang West Road, Haizhu District

Speaker:Lin Songyu (Professor, College of Literature, Guangzhou Huashang College)

Long live youth was written in the 1950s when Wang Meng was 19 years old. The novel has a certain influence among generations and is a symbol of youth for many people. This Saturday afternoon, we invited Lin Songyu, a professor at the College of Literature of Guangzhou Huashang University and director of the creative writing teaching and research center, to start with Long Live Youth, and to interpret the theme, literary elements and literary history significance of Long Live Youth as a red classic from the relationship between the ideological value of the text and the times, the artistic characteristics and the creative trend in the 1950s and 1960s, combined with Wang Meng’s creative experience.

Guangzhou | Apart from this life, we have no other time-sharing meeting of the new book "I love this crying romance"

Time:December 4th (Saturday) 15:00-17:00

Location:Multifunctional Hall, 6th Floor, Guangzhou Book Center, No.123 Tianhe Road, Tianhe District

Guest:Yan Ming (photographer), Mai Mai (writer, reading promoter)

With the artist’s sensitive and concerned eyes, the photographer Yan Ming found the stories that each of us in China had witnessed or experienced on a mountain, on a pile of walls, on the skirts of monks and on the silent faces of rural villagers, and gained dignity in this persistence. Twenty years of perseverance and hard work have brought fruitful results. These life experiences about traveling and meeting, fate and choice, conformity or self-reliance, as well as years of photographic thinking, are all condensed by him in his masterpiece "I love this crying romance". On December 4th, Yan Ming will take this masterpiece, visit Guangzhou Book Shopping Center Tianhe Store with writer and reading promoter Mai Mai, and talk about the story behind the picture frame and the little-known moments on the road of life.

Shenzhen | A Writer’s Retrospect and Prospect —— Sharing Meeting of Han Shaogong’s New Book Life Suddenly

Time:December 3 (Friday) at 20:00

Location:2014 Fuzhongyi Road, Futian District, Shenzhen Center Bookstore North District, Big Steps

Speaker:Han Shaogong (writer)

Life Suddenly is a new collection of essays by the famous writer Han Shaogong, which responds to the questions of the times. On Friday night, Han Shaogong will come to Shenzhen with a new book to meet readers and share his writing and spiritual world.

Nanjing | The Sadness and Revival of Nihilism —— Martin Mittelmayer’s Hundred Years of Dadaism

Time:December 4th (Saturday) 14:00-15:30

Location:Golden Eagle Art Museum, 52nd floor, No.888 Yingtian Street, jianye district.

Guest:Liu Lizhong (poet and novelist) and Zhu Zhu (poet, curator and art critic)

Isn’t Dadaism a distorted pretense, a sharp incident, and a provocative nonsense? In short, this cultural nihility that made World War I possible is being impacted by many noises. In any case, Dadaism is first and foremost a movement of artists and life strategists, who have responded with enthusiasm and bravery to the world that is becoming more and more unclear. German writer Martin Mittelmayer shows the surprising practical significance of the answers to the above questions in the Hundred Years of Dadaism, and how Dadaism continues to influence contemporary culture. In August, 2021, the book A Hundred Years of Dadaism was published in Chinese. In this reading salon, we invited Liu Lizhong, a poet and novelist, and Zhu Zhu, a poet, curator and art critic, to talk about this book and communicate with the audience.

Hangzhou | Put yourself in the other’s shoes —— The release conference of the new book at ease: China from 1981 to 1984.

Time:December 5 (Sunday) 19:30-21:00

Location:One-way space 1F, B103, Zone B, Yuanyang Ledi Port, No.58 Lishui Road, Gongshu District

Guest:Lao An (photographer), Sang Gege (writer) and Sun Shanchun (professor of China Academy of Fine Arts)

Andrea Cavazzuti, an Italian photographer, has witnessed the development of contemporary art in China by shooting videos and documentaries since the late 1990s. At Rest: China from 1981 to 1984 is his first photo collection, which contains more than 190 frames of photos he took in China from 1981 to 1984. On the occasion of the publication of the book, we invited the writer Sang Gege and Professor Sun Shanchun from the Chinese Academy of Fine Arts to travel with Lao An in China today and yesterday, and between China and the world, in search of a new understanding of self and the other.

Hangzhou | the daily life of creation

Time:December 6 (Monday) 19:00-20:30

Location:One-way space 1F, B103, Zone B, Yuanyang Ledi Port, No.58 Lishui Road, Gongshu District

Guest:Xu Zhiyuan (writer) and Huang Xi (talk show actor)

Creation is not a privilege. In the past, we seized inspiration in language and writing. Now, the development of technology makes the flashes clearer. Grasping the "crystallization" in daily life, we can all be creative and become interesting, romantic and creative content creators. At the 7th One-way Street Literature Festival, Xu Zhiyuan, a writer and founder of One-way Space, and Huang Xi, a talk show actor and CCTV host, were invited to have a talk on "the daily life of creation", and to talk about how the "daydream" sheltering troubles in their hearts ignited the fire of creation, how to record their lives, keep unexpected thoughts, and how to find their inner direction and be determined to walk in the long journey of life.

Chengdu | Left-handed Science and Right-handed Poetry —— A group of scholars who are good at both arts and sciences

Time:December 5 (Sunday) 14:30-16:30

Location:No.918, South Section of Tianfu Avenue, Tianfu New District, Luhu Eco-city Art Exhibition Center Xunlu Library

Speaker:Zhang Xiuzhi (media person)

Poets have never been a profession, so why not study both arts and sciences. On December 5 th, Zhang Xiuzhi, a senior media person and chief reporter of Xinhua News Agency Sarajevo Branch, shared with you the talents and stories of a generation of scholars who are good at arts and sciences.

Xi ‘an | Atlas of Xi ‘an, Replicating the Cultural Genes of the Millennium Ancient Capital —— Sharing Meeting of the New Book "Xing Zhi: the Form of Xi ‘an Ming City under the Spirit of Place"

Time:December 4th (Saturday) 15:00-16:30

Location:SKP RENDEZ-VOUS, activity area, 9th floor, Xi ‘an SKP Shopping Center, No.261 Chang ‘an North Road, beilin district.

Guest:Li Hao (Professor and Doctoral Supervisor, School of Architecture, Xi ‘an University of Architecture and Technology) and Yang Yang (Architect and Curator)

On December 4th, Professor Li Hao from the School of Architecture of Xi ‘an University of Architecture and Technology and Master Yang Yang from the School of Architecture of Tsinghua University will visit SKP RENDEZ-VOUS in Xi ‘an to share the fourth series of "Xing Zhi: The Form of Xi ‘an Ming City in the Spirit of Place", and lead everyone into the Ming City of Xi ‘an to explore the hidden cultural genes of this ancient city with a thousand years.

Xi ‘an | Loneliness and Affection: First Reading of The Book of Songs

Time:December 4th (Saturday) 19:00-20:30

Location:SKP RENDEZ-VOUS, activity area, 9th floor, Xi ‘an SKP Shopping Center, No.261 Chang ‘an North Road, beilin district.

Guest:Zhu Hong (Professor of College of Literature, Shaanxi Normal University), Liu Weiping (Professor of College of Literature, Northwest University), Jiao Ling (Deputy Editor of Shaanxi Normal University Press), Pang Jie (writer, poet, literary editor)

For example, Pang Jie said frankly: "I want to sort out the love in the Book of Songs and expand it in the contemporary era, and see those distant sorrows, those loneliness and affection, and the telepathy of people today; I want to sort out the plants in the Book of Songs, see how many they have disappeared, and see what they look like if they are still alive today; I also want to sort out the pain and hesitation, hearty and awakening in the era of the Book of Songs … "The so-called" Book of Songs "is actually an old acquaintance. On the evening of December 4th, we might as well walk into the Book of Songs together and re-understand the "loneliness" and "affection" that have been circulating since 3,000 years ago …

Wuhan | past lives of Yongle Ceremony

Time:December 4th (Saturday) at 9:30.

Location:Changjiang lecture hall of Hubei Provincial Library, No.25 Gongzheng Road, Wuchang District

Speaker: Chen Hongyan (Deputy Director of the National Library of Ancient Books)

As the fourth college collection of the National Library, the collection and preservation process of Yongle Dadian in the National Library is full of legends. In this lecture, the speaker will share with you the past lives of Yongle Dadian from the following aspects: its writing process, its compiling method, its value, its dispersion and aggregation, its protection and restoration, and its publication and dissemination.

The Significance of Wuhan Yongle Grand Ceremony in the History of World Culture

Time:December 9 (Thursday) at 10:40.

Location:Changjiang lecture hall of Hubei Provincial Library, No.25 Gongzheng Road, Wuchang District

Speaker:Xiong Zhaozheng (writer, literary historian)

"Yongle Dadian" from the pre-Qin Dynasty to the early Ming Dynasty is all-encompassing. The Concise Encyclopedia of Britain says that the Yongle Grand Ceremony is "probably the largest encyclopedia in the world", and it is more than 300 years earlier than the encyclopedia edited by Diderot of France and the famous Encyclopedia Britannica, so the Yongle Grand Ceremony is not only a treasure of China’s cultural heritage, but also enjoys a high status in the world cultural history.

The flavor of the year in poetry is not as good as the sixth day of the sixth month.

In your eyes, what day is the sixth day?

Did the family start cleaning the house early in the morning to "send the poor", or did they take a break after visiting relatives for the New Year a few days ago, or did they start counting down the holidays with their hands?

In the eyes of Zhu Shuzhen, a poet in the Song Dynasty, the sixth day was so lively that even the Lantern Festival night could not compare with it.

The sixth day is full of pomp and bright lights.

Yi Qin ‘e, the sixth day of the first month, night and month

Song Zhu Shuzhen

Bend and bend, and the new year’s crescent moon hooks the cold jade. Hook cold jade, phoenix shoes are small, and Cui eyebrows are frowning.

Moths and snow willows add makeup, while Candle dragon wahoo competes for it. It’s not as good as the sixth day of the Lunar New Year.

Zhu Shuzhen,No. Youqi Jushi, a poetess in the Song Dynasty, is one of the most abundant female writers who have preserved her works since the Tang and Song Dynasties. This word describes the lively scene of the sixth day of the Lunar New Year in the Song Dynasty. Bend a new year’s crescent moon, charming as a hook, cool as jade. The moon in the sky is as hooked as jade, the embroidered shoes of the people on the ground are wrapped in slender feet, and the emerald arch eyebrows are smiling. Dressed-up women with moths in their heads and snow willows in their hair, and fire trees and silver flowers, Candle dragon danced vigorously and galloped after them. Such a grand occasion, even on the night of the Lantern Festival, is far less than this sixth day.

Li Song’s View of Lights in the Southern Song Dynasty is now in the National Palace Museum in Taipei.

"Moths and snow willows add makeup, and Candle dragon fire trees compete." This word is inevitably reminiscent of Xin Qiji’s famous "Jade Case Yuan Xi", "Thousands of trees bloom in the east wind night, and the stars are like rain. The BMW carving car is full of incense, the phoenix flute is moving, the jade pot is turning, and the fish and dragon dance all night. "

In Song Dynasty, the economy was prosperous, and the entertainment activities were more abundant than those in the previous generation. People paid special attention to festivals such as Spring Festival. From the New Year’s Day to the Lantern Festival, people not only carry lanterns in their hands, but even trees and rivers are covered with lights.

In Zhu Shuzhen’s eyes, the lights set each other off on the sixth day of this month, women dressed up to travel, and the fire tree and silver flowers, even on the Lantern Festival night, are not as lively and happy as the sixth day.

It is a good day to send the poor, start a business and go out.

Aside from the background of the Spring Festival, folk customs such as sending the poor are also popular on the sixth day of the Lunar New Year. Nowadays, when people send the poor, they mostly clean the house, throw away the garbage and make people happy. In ancient times, due to the limitations of the times, people were more serious about "sending the poor".

In ancient times, people would "make minced meat, abandon rags, and worship in alleys", that is, clean up all the dirty debris and rags outside the house, and then burn them for sacrifice to send the poor.

In Han Yu’s "Sending the Poor", it is mentioned that it is necessary to "make a car out of willows and lead the sails to the wall" for the poor. That is to say, when sending the poor, we should not only prepare symbolic vehicles and boats for the "poor", but also bring dry food to the "poor". In some places, there is also the practice of "sending the poor by banana boat". Such a solemn ceremony is to send the "poor ghost" away well to welcome a better life in the new year.

In addition to sending the poor, the sixth day of the sixth year means "great luck", and after the sixth day, people gradually return to normal life from the festive flavor, so many businessmen will choose to open the market on the sixth day. Every new year’s day, firecrackers to celebrate the opening of the market are one after another, deafening and very lively. At the same time, the shopkeeper will stick a big red couplet on the door panel, "Everything is prosperous", and invite a "lovely person", that is, parents, husbands, children and in-laws, to stroll around the store for a few times and send auspicious words such as "make a fortune, congratulations on making a fortune", hoping that business will be prosperous and life will be rich in the new year.

China people also have the traditional custom of "going out in 369", which means that the third, sixth and ninth days of the lunar calendar are auspicious days to go out. Therefore, it is advisable to go out on the sixth day of the Lunar New Year, and you should also play around. In some areas, it is popular on the sixth day, and at three, six and nine o’clock at noon, go out for a walk. Those who don’t want to travel far can also turn around the yard clockwise twice before going home, which means good luck. In the old days, farmers began to farm on this day to prepare for spring ploughing.

The sixth day of the first month is not only an important moment to sum up and clean up the past year, but also a sign to welcome the start of work and business activities in the New Year, and also an important date for farmers to start spring ploughing.

Up to now, although the form of the old customs has gradually changed, people’s good wishes to eliminate disasters and solve the problem are still the same. Send the poor on the sixth day. May everyone send away their troubles and bad luck, and make a fortune in the new year. Good luck!

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It is related to the coordination mechanism of urban real estate financing, and how to "arrange troops and deploy troops" has attracted much attention.

Cailian News on January 26th (Reporter Wang Haichun)A high-standard meeting held by the Ministry of Housing and Urban-Rural Development today has become the focus of attention of all parties. The theme of this meeting is closely related to the coordination mechanism of real estate financing which is highly concerned by the market.

On January 26th, the Ministry of Housing and Urban-Rural Development held a meeting to deploy the coordination mechanism of urban real estate financing. At the meeting, Ni Hong, Party Secretary and Minister of the Ministry of Housing and Urban-Rural Development, pointed out that accelerating the implementation of the coordination mechanism of urban real estate financing was effective, supporting the development and construction of real estate projects, and meeting the reasonable financing needs of real estate enterprises with different ownership equally.

According to the information released by the Ministry of Housing and Urban-Rural Development in official website, the heads of the relevant departments of the Central Finance Office and the Central Finance Office, as well as the relevant heads of the housing and urban-rural construction departments (commissions) of various provinces (autonomous regions and municipalities) and the heads of 35 key city governments attended the meeting.

In view of the current financing difficulties of some real estate projects, the meeting stressed that all localities should focus on projects, pay close attention to research and put forward a list of real estate projects that can be given financing support, coordinate financial institutions within their respective administrative regions to issue loans, and accurately and effectively support reasonable financing needs.

The meeting demanded that the credit funds should be operated in a closed way and used in compliance, and resolutely prevent misappropriation. At the provincial level, it is necessary to track and monitor the implementation and strengthen supervision and guidance. At the national level, an information platform for urban real estate financing coordination mechanism projects will be established, and weekly scheduling and monthly notification will be implemented. It is understood that before the end of this month, the first batch of projects can win loans after landing.

The chief researcher of Guangdong Housing Policy Research Center pointed out that this meeting has become the focus of attention of all parties because it is related to how to implement the coordination mechanism of real estate financing.

"Forming a specific project landing, the coordination mechanism will have practical significance, and the landing of the project will help to better explore a more mature financing coordination mechanism. Judging from the contents announced at the meeting, the high-level officials made it clear that the main responsibility, management responsibility and territorial responsibility of the competent authorities should be brought into play to solve the distrust between banks and housing enterprises. While forcing real estate enterprises to strengthen their management, this mechanism also puts forward requirements for banks to improve their ability to identify and control risks. Only through joint coordination and efforts can we truly implement support for stable enterprises. " Li Yujia said.

According to the information released by the State Financial Supervision and Administration, the General Financial Supervision and Administration held a meeting on January 26 to deploy and promote the implementation of the coordination mechanism of urban real estate financing. The main responsible persons of various regulatory bureaus, some regulatory branches of the General Administration of Financial Supervision, as well as national commercial banks, city commercial banks, provincial rural credit cooperatives and other institutions attended the meeting.

The meeting stressed that financial institutions should attach great importance to it, strengthen organizational leadership, establish internal mechanisms and clarify working rules. For projects that meet the credit conditions, it is necessary to establish a green channel for credit granting, optimize the approval process, shorten the approval time limit, and actively meet the reasonable financing needs. For projects that encounter temporary difficulties in development and construction, but the funds are basically balanced, we will not blindly lend, cut off loans, or press loans, but support them by extending existing loans, adjusting repayment arrangements, and adding new loans. At the same time, financial institutions should strengthen the closed management of funds to prevent the misappropriation of credit funds.

Previously, on January 12, the Ministry of Housing and Urban-Rural Development and the General Administration of Financial Supervision jointly issued the Notice on Establishing a Coordination Mechanism for Urban Real Estate Financing. The circular is clear, giving full play to the leading coordination role of the city government, establishing a coordination mechanism for urban real estate financing in cities at prefecture level and above, judging the real estate market situation and real estate financing demand, coordinating and solving the difficulties and problems existing in real estate financing, and combining the development and construction of real estate projects and the relevant situation of project development enterprises according to the principle of fairness and justice, putting forward a list of real estate projects that can be given financing support, pushing financial institutions and providing financing support.

Experts in the industry believe that the establishment of a coordination mechanism for urban real estate financing is actually to find a win-win point, and to accurately support the reasonable financing needs of real estate projects by distinguishing group risks from project risks. With the support of such favorable policies, the lending speed of financial institutions for some projects is expected to accelerate in the future.

According to Yan Yuejin, research director of Yiju Research Institute, the establishment of a coordination mechanism will help the financial sector and the housing sector to coordinate their operations and give play to the accuracy and timeliness of policies, which is an important measure to promote a virtuous circle of finance and real estate.

"According to the document, the coordination mechanism is headed by the deputy mayor of the city government in charge of housing and construction, and a real estate financing coordination mechanism with local housing and construction departments and agencies dispatched by the General Administration of Financial Supervision as member units is established." Li Yujia said.

The industry believes that the relevant departments take the lead, which shows that the regulatory authorities attach great importance to this mechanism, and this coordination mechanism has a strong landing on the practical level in classifying and financing housing enterprises.

Yan Yuejin pointed out that for high-quality housing enterprises, there are four main criteria for obtaining support, including normal development and construction, adequate collateral, reasonable assets and liabilities, and guaranteed repayment sources.

"This standard has a strong reference significance. According to this standard, housing enterprises can improve their work from the perspectives of engineering, assets, finance and sales, so that enterprises can meet relevant standards and obtain financing support." Yan Yuejin said.

It further stated that for enterprises with short-term capital pressure, it is necessary to prevent the situation of "loan withdrawal and loan pressure", and at the same time, it is necessary to provide relevant support through extension, adjustment of repayment arrangements and new loans.

"For enterprises that violate the law or evade debts, they should make risk warnings to financial institutions such as banks." Yan Yuejin said.

Li Yujia pointed out that credit is based on trust, so the purpose of establishing a coordination mechanism is to establish a docking platform for both parties to fully communicate; However, whether to lend or not will still be in accordance with the bank risk control and credit approval process. At the landing level of specific projects, it will be market-oriented, legal and voluntary, and will not be mandatory.

"One of the key factors is to consolidate the main responsibilities of all parties and explore new mechanisms and models. For example, housing enterprises should standardize financial data, operate in good faith, bid farewell to the highly leveraged model, and let banks trust housing enterprises. Banks should also increase the transformation of business systems and risk control models, instead of blindly adhering to the old model, that is, taking the implicit government guarantee, collateral and the rise in the value of collateral as the conditions for capital investment. " Li Yujia added.

Wang Xiaoyu, chief analyst of Zhuge Data Research Center, said that under the current market background, housing enterprises have weak investment confidence, and they are relatively cautious in taking land and starting new construction. From a macro point of view, this policy is a further measure of financial support for housing enterprises, and it is a favorable policy for housing enterprises.

"At the same time, it should be pointed out that financing can solve the current cash flow crisis and improve the liquidity of funds, but in the long run, the development of enterprises still needs to rely on their own hematopoietic capacity." Wang Xiaoyu said.

(Cailian reporter Wang Haichun)
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Jordan’s only fear is Pippen’s departure. Once he leaves, he won’t even be as good as Durant.

Jordan’s only fear is Pippen’s departure. Once he leaves, he won’t even be as good as Durant.

If again, can’t Jordan have another all-star teammate without Pippen? No matter what, it doesn’t mean that the people Jordan asked the team to exchange were all trained from rookies. Jordan didn’t automatically find a thigh to join.

Pippen is gone, and there are board tents, lock tents, cloth tents, bare tents … Jordan doesn’t need the teammate configuration as high as the old booth, and he can fly you with a similar second master. Don’t fly at the old stall. I’ll fly for a while, and I’ll take over the nest everywhere, claiming to be the boss, and turning my back on people after holding my thighs.

What James is most afraid of is one-on-one hit and no shooter teammates. Once there is no one, James is even worse than Brownie. Just keep your mouth shut. If you leave your mouth, nothing else will be hard. In the year when Pippen was injured, Jordan led the team to win the regular season.

In 1998, Pippen was absent for half a season because of injury. If James had changed, he would not have made it to the playoffs. In fact, it can’t be said that young James led the team in the finals, but he couldn’t win the championship. To put it mildly, he believes in his teammates, and to put it bluntly, he lacks a temperament of others and the corresponding technical support at the apex level. Top physical talent, truck impact is top, but other offensive skills are not top.

He can’t be the first. His vision, body and self-discipline are top-notch. Dribble, break through, to be honest, sometimes you have to scratch your head. If he develops the bulldozer breakthrough to the top, it is actually very good. Sometimes there’s nothing to say about his single defense. Many times it is passed in a flash.

The point is that the whole world knows to defend Jordan with all its strength. Is that your percentage of Pippen? It’s hard to shoot when people focus on you. Basketball is actually very contrapuntal. At that time, which player would suffer from Pippen? Who is afraid of him? People who don’t play ball don’t understand. Can Pippen become a superstar in the current league? I don’t think so. Comprehensive strength can only exist as a junior James. Only rebounding and defense are a little better than James.

The Sixers want Show 4+Show 20! The Rockets refused to trade 1 for 5, and Fertitta would not break his word to Harden.

The president of Philadelphia 76ers always wants to take advantage of others in the transaction, so he has a bad reputation in this alliance.

Earlier, Keith Pompey, a reporter from Philadelphia Inquirer, revealed that the President of 76ers wanted to exchange Harris for Allen, mobley and a draft pick.

As a result, it is conceivable that the general manager of the Cavaliers refused, of course. I don’t know if he has been completely blacked out by the president of the 76 ers.

The President of 76ers watched the Summer League in Las Vegas and paid attention to the Houston Rockets’ game. He was deeply attracted by the performances of Amen Thompson and Cam Whitmore and wanted to get the No.4 show and No.20 show.

Amen Thompson is a real point guard. He not only has excellent physical fitness, but also has a first-class passing vision. He has a good defensive awareness and there is room for improvement in shooting. Not only some NBA scouts and netizens, but even teammate Whitmore said that seeing Amen Thompson play reminds people of Ben Simmons. Simmons, who works hard and has the ability to project, will be quite scary. No wonder the 76ers president wants Amen Thompson.

In the past few years, every year, there have been rookie rockets who stand up and say that they are the strongest in this year. Whitmore didn’t lose confidence in himself because he fell to the 20th place. Whitmore fought bravely in the summer league and finally won the MVP. His goal is the best rookie next season.

However, the reality is cruel. Whitmore will not only be impossible to start the Rockets in the new season, but even strive for a rotation quota.

So what kind of chips will the 76 ers president come up with to impress the rocket management?

Harden, the former rocket cornerstone.

"fansided" previously said that in addition to the Clippers, there are several teams interested in Harden. Si Tong, the general manager of the Rockets, is facing the pressure of performance and may consider making a deal with the 76ers. The American media put forward a trading plan: the Rockets sent Amen Thompson, Cam Whitmore, Kevin Porter Jr., Jeff Green and the first round of the Nets in 2024, and got Harden from the 76ers.

Will the rocket agree? Sbnation said the Rockets would reject the 1-for-5 deal.

Rockets reporter Jackson gatling revealed on the show that Si Tong originally wanted to sign Harden after the free agent market opened. If Fertitta decides to appoint vogel as head coach, he will welcome Harden back like Si Tong. Once Harden comes back, he will have the privilege, so some talented young players will be sent away as chips.

Earlier, Rocket reporter Kelly Apotheker also said that Harden can lead the Rockets into the playoffs, and young people such as Sengong and Ethan can be added to the first round to make a deal to strengthen the lineup.

Fertitta likes basketball and is proud of himself. In the past three years, he has kept a low profile and rarely made a sound. Now that the Rockets are over, Fertitta hopes that the Rockets can return to the playoffs next season, so he also tends to sign Harden at first.

What happened afterwards? Uduka wants to build a rocket team of his own, and he opposes signing privileged player Harden. Uduka said that Houston is full of talents and has a promising future. He is confident that these young players will grow up and win the championship in the future.

Fertitta felt very reasonable after listening to this, so vogel, the former leader, was eliminated, and Uduka Firewire took office, which caught ESPN celebrities off guard.

Uduka and Harden worked together, so the latter has a great hope of returning to the Rockets? This is really an illusion!

Uduka refused to look at it one dozen times and four times. He wanted the Rockets to play a team role and let young people grow up quickly. Uduka chose Van fleet, who didn’t occupy the ball and tried hard to defend, to guide Jay Green, and Tommy Tam, the villain, to guide Smith Jr. and Ethan.

Although Si Tong is the general manager of the Rockets, he is not as good as head coach Uduka. ESPN celebrity McMahon revealed that Uduka should be the most powerful person in the Rockets except boss Fertitta.

As long as Fertitta still trusts Uduka, the door of Houston will not be opened to Harden.

So will Harden’s No.13 jersey be affected when the Rockets retire?

I said before that Fertitta is a face-saving man, and he will not break his word to Harden in this matter. He will retire Harden’s No.13 jersey. Harden ranks in the top three in the history of the Rockets. He has made great contributions to the local community in Houston, and he definitely deserves such treatment.